Serena Butler - We Want Neither Clean Hands Nor Beautiful Souls

  • Heady techno from one of the style's leading labels.
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  • The first track on Serena Butler's new EP samples a discussion of Donna Haraway's "A Cyborg Manifesto," a 1984 essay that used the concept of cyborgs to discuss how society might evolve beyond gender essentialism and conventional feminism. The record ends, three tracks later, with another lengthy sample, this time an excerpt from Emma Watson's UN gender equality speech. Meanwhile, the EP's title, We Want Neither Clean Hands Nor Beautiful Souls, is a quote from an essay called "Xenofeminism" by a group called Laboria Cuboniks, who advocate a gender-abolitionist feminism and a move away from identity politics. That's a lot of ideas to present on a four-track techno EP that feels as dense and meditative as the themes it's inspired by. Serena Butler, presumably named for the character from the Dune novels, is a self-described gender abolitionist "in a male host." Their music is no stranger to heady themes. (A previous EP focused on artificial intelligence.) That, and their uncommonly beautiful techno, makes them a good match for Stroboscopic Artefacts. Just check the two tracks without vocals: "Globular Hymen" balances a steamrolling kick with an intricate, hypnotic lead, while "Science Is Not An Expression But A Suspension Of Gender"—another "Xenofeminism" quote—is hefty dub techno with a lilting melody. It's tough with a tender heart. The vocal tracks are similarly majestic. The distance of the voice on "If Nature Is Unjust, Change Nature" actually adds to its hallucinogenic style. It feels like the gossamer-thin ghost of a techno tune until the drum pattern finally slams in, the EP's most satisfying moment. Emma Watson's voice is front-and-centre on "And With Fire Came Disparity," so much so that it's hard to imagine a DJ playing it in a club. This would be a shame, as its surging techno beat is strong. By using these samples, Butler forces listeners to negotiate with themes of gender and feminism. She employs samples in opposition to each other: Watson's view of feminism and the pay gap is exactly the kind of gender essentialism that Xenofeminism advocates against. It's socially conscious and open-ended instead of polemical, and its layers of narrative become more impressive as you dig into them. Clean Hands is also incredibly well produced, recalling the early days of Stroboscopic Artefacts, when the label seemed intent on changing the way we heard and thought about techno—a torch that Butler seems eager to carry.
  • Tracklist
      A1 If Nature Is Unjust, Change Nature A2 Globular Hymen B1 Science Is Not An Expression But A Suspension Of Gender B2 And With Fire Came Disparity
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