Carmen Villain - Sketch For Winter IX: Perlita

  • Sub-zero ambience.
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  • Each year, in the dead of winter, Atlanta label Geographic North releases a tape to capture the feeling of dark days and deep-freeze temperatures. This year's Sketch For Winter comes courtesy of Norwegian-Mexican multi-instrumentalist Carmen Villain, who paints a picture of perfect calm. Perlita, named after Villain's grandmother, is said to explore the seasonal cycles of solitude and re-emergence. Its flow, from the opening movement of windswept ambience, through the graceful dub techno of "Two Halves Touching" and hopeful plumes of melody in "Molina," represents that journey. Villain's artistic trajectory has developed from vocal avant-pop to almost entirely instrumental releases, encompassing field recordings, flutes, piano, zither, drums and synths. Though her vocals are now barely there, save a few looped nothings strewn across the tracks, Villain says a lot with the distinct moods on the record. Heartbreak melodies spill out, or a deep dub pulse bubbles up, and you know how you're meant to feel. For 27 minutes, Villain creates a scene so still that even samples of barking dogs or fireside chatter don't upset the peace. The closing track, a collaboration with flautist Johanna Scheie Orellana, completes the cycle, as the calm prepares to give way.
  • Tracklist
      01. Everything Without Shadow 02. Two Halves Touching 03. Light In Phases 04. Things That Are Solid 05. Molina 06. Agua Azul
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