Once Mr Scruff was plain Andy Carthy. And then he wasn't... Sometime artist, DJ, Peak District wanderer, and Manchester’s very own very own, Mr Carthy started his musical career a mere six years ago.
Once Mr Scruff was plain Andy Carthy. And then he wasn’t… Sometime artist, DJ, Peak District wanderer, and Manchester’s very own very own, Mr Carthy started his musical career a mere six years ago.
Formerly a fine art student part-time at Sheffield University, Scruff decided to explore his strange passion both in rounded line drawings and music. An electro-ska-hip-hop kid and bedroom bod from what hip hop fellas call time, Carthy started making tapes in 1983 using the very finest in pause button technology. His passion for hearing music that he couldn’t hear out anywhere else led him into the world of DJing - first of all as a kid with one deck - then hearing electro albums and being determined to mix. The result was that by 1994 he was out DJing in clubs.
Despite DJing being his first and foremost love, Scruff had always messed about with the recording process; age 8 he started making up tapes of pretend radio shows (oh where are those tapes now?) and then faffing about on drum machines; by the age of 13 he was having a laugh with mates being in silly bands with silly names. The very end result of all this was a good few vinyl outings on Rob’s Records and Pleasure, including the now-legendary track, Chicken In A Box - simple maybe, but simply bloody barmy-good. “A happy accident,” he claims. “Well, more like an educated guess...” Whilst his total love of DJing informs his music-making ability, he doesn’t consciously try to make something that will work on the dancefloor; he’s more likely to want to know “Do you like it? Does it make you go wibbly. Does it frimble?” Questions we should all be asking ourselves.
Since his first vinyl excursion he has recorded for over 25 labels including Warp, Sirkus, Disorient, Blood & Fire, Cup Of Tea and, of course, Ninja Tune. He has remixed Nightmares On Wax and Bim Sherman and refused to remix Nigel Kennedy. He’s worked with Mark Rae and Grand Central. He has DJed all over the bloody shop, turning down more gigs than he takes on. If they won't let him have a long spot, he doesn't bother; a 'take-the-money-and-run' merchant he certainly is not. He has dug in crates and found obscure records with references to marine fauna. He’s done bloody loads, basically, all of it with more than a vague hint of humour. France Telecom (the French equivalent of BT) were suitably impressed and used his single Get A Move On as part of their national TV advertising campaign, as did Volvo in N. America - the Scruffy one didn't see it as something to get excited about. And he's got more fans. Most notably, Madonna recently said in Mixmag of music she was playing at home, "And Mr Scruff I love, that weird little album (Keep It Unreal) that's got so much personality". Mr Scruff was characteristically unimpressed.
A brief summary for those who always want more:
Resident DJ: Monthly @ Keep It Unreal, Music Box, Manchester; ‘Keep It Unreal’ @ The Bomb, Nottingham, bi-monthly ‘Keep it Unreal’ @ 93 Feet East, London; monthly ‘Etch’ @ Concorde II, Brighton; sporadically ‘Keep It Unreal’ in Edinburgh.
Regular Guest spots: Phonic Hoop, Brighton; The Bomb, Nottingham; Grand Central show on Radio Nova (broadcasting across France on Sats)
Preferred set length: 5 hours
Favourite colour: unknown
Influences (in order of appearance): - Blues, 2 Tone, Ska, Nasty pop music, Electro, Hip Hop, Soul, House, Funk, Jazz, Reggae
The Mr Scruff Master Plan: “I’m not trying to do anything very specific”
Addictions: vinyl - likes to educate himself in all music - if he hasn’t got any Indian film music then when he’s got the money he’ll make sure he gets some.
Drawings: you must have seen the characteristic Mr Scruff line drawings which have graced the pages of many magazines from Jockey Slut to The Face. He's recently taken this one step further by animating them into video form.